ID de tableau:: 29734
The Deposition La Déposition mk67
Tempera on panel
68 7/8x 72 13/16in
mk67 Détrempe sur le panneau 68 7/8x 72 13/16in Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
ID de tableau:: 29864
The Deposition La Déposition mk67
Oil on panel
30 5/16x207/8in
mk67 Pétrole sur le panneau 30 5/16x207/8in Italian
1510-1563
Francesco Salviati Gallery
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
ID de tableau:: 31733
The deposition La déposition mk76
Painted between c.1510 and 1515
Oil on canves
56 1/8x44 1/4in
mk76 A Peint entre le c. 1510 et 1515 Pétrole sur canves 56 1/8x44 1/4in b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
ID de tableau:: 33320
The Deposition La Déposition mk86
Tempera on wood
29.7x20.5cm
mk86 Détrempe sur le bois 29.7x20.5cm 1283-1344
Italian
Simone Martini Locations
ID de tableau:: 33322
The Deposition La Déposition mk86
c.1320-1330
Fresco
232x377cm
Assis,San Francesco.
Lower Church
mk86 c.1320-1330 Fresque 232x377cm Assis, San Francesco. Abaisser l~Eglise Italian Byzantine Style Painter, ca.1280-1348
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
ID de tableau:: 38176
The Deposition La Déposition mk29
1510-15
Oil on canvas
142.5x112.4cm
mk29 1510-15 Huilent sur le canevas 142.5x112.4cm b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
ID de tableau:: 40184
The Deposition La Déposition mk156
1437-1440
Tempera on panel
176x185cm
mk156 1437-1440 Détrempe sur lambrise 176x185cm Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
(1512 - 1597) was an Italian painter of the late Renaissance.
Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases.
Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.
ID de tableau:: 80775
The Deposition Date 1563(1563)
Medium oil on poplar panel
cjr (1512 - 1597) was an Italian painter of the late Renaissance.
Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases.
Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.
(1512 - 1597) was an Italian painter of the late Renaissance.
Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases.
Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.
ID de tableau:: 84962
The Deposition 1563(1563)
Medium English: oil on poplar panel
cyf (1512 - 1597) was an Italian painter of the late Renaissance.
Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases.
Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.
(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects.
Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.
ID de tableau:: 86595
The Deposition Date 1565(1565)
Medium Oil on wood
Dimensions Height: 350 cm (137.8 in). Width: 235 cm (92.5 in).
cjr (November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects.
Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.
ID de tableau:: 86917
The Deposition Date c. 1528(1528)
Medium Oil on wood
Dimensions Height: 313 cm (123.2 in). Width: 192 cm (75.6 in).
cjr Italian 1494-1557 Jacopo Pontormo Galleries
ID de tableau:: 86923
The Deposition Date 1512(1512)
Medium Oil on wood
Dimensions Height: 298 cm (117.3 in). Width: 197 cm (77.6 in).
cjr Italian
1480-1556
Lorenzo Lotto Galleries
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
ID de tableau:: 88079
The Deposition c. 1435(1435)
Medium Oil on oak panel
cjr Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
ID de tableau:: 89149
The Deposition first half of 16th century
Medium oil on wood
cyf b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
ID de tableau:: 91661
The Deposition between 1513(1513) and 1516(1516)
Medium oil on panel
Dimensions Height: 51 cm (20.1 in). Width: 97 cm (38.2 in).
cyf Italian
1480-1556
Lorenzo Lotto Galleries
ID de tableau:: 91668
The Deposition 1528(1528)
Medium oil on panel
Dimensions Height: 313 cm (123.2 in). Width: 192 cm (75.6 in).
cyf Italian 1494-1557 Jacopo Pontormo Galleries
(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union.
After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.
ID de tableau:: 97743
The Deposition 1516(1516)
Medium Oil on canvas transferred from wood
cyf (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union.
After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.
Sebastiano Ricci (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union.
After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. The Deposition
